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FLYNT, HENRY

 
"The Dharma Warriors was the elemental guitar / drum rock concoction of Henry Flynt & C.C. Hennix. In 1983, the pair hooked up in Woodstock at Hennix's rented house and let freedom ring with two lengthy boombox recordings. "Warriors of the Dharma" and "Mount Fuji on My ...
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"A trance-tape piece, constituting the entirety of the genre called Illuminatory Sound Environment, composed in the 70s in response to Catherine Christer Hennix's "Electric Harpsichord." John Berdnt's enthralling liner notes explain ISE as "an unfurling sound field of ...
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RECORDED025 | RECORDED

"Henry Flynt took a high-brow approach to so-called low-brow music. Combining sounds from his native North Carolina with an avant-garde sensibility honed in New York City's loft scene in the 1960s, Flynt created what he describes as "new American ethnic music." As a ...
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SVLP014 | SUPERIOR VIADUCT

"Before the publication of his music, Flynt was most often known as an (often distorted) footnote in art history, as the man who invented "Concept Art," Flynt's name in the early sixties for his formal attacks on logical and mathematics, often presented in art ...
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RECORDED006 | RECORDED

"The third release in recorded's groundbreaking archival series on the mind-blowing music of Henry Flynt, inventor of virtuosic electronic hillbilly music and other highly developed and idiosynractic genres. This record deals with Flynt's most "electronic" work to date, ...
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RECORDED007 | RECORDED

"The final release in the NAEM series (but not the last Henry Flynt on Recorded) is Ascent to the Sun, a brilliant, sparkeling hillbilly raga in the family of You Are My Everlovin' but with a unique double violin approach and a mind-bending stucture all its own. The ...
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RECORDED021 | RECORDED

"The psychedelic sounds of musical pioneer Henry Flynt's drone works with collaborator C.C. Hennix are quietly becoming the stuff of legend. Over some 40 plus minutes, we are treated to a true tour de force that's part Hindustani inflected musical miasma and part warped ...
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"In the early '60s, fresh from his clean behind the ears years at Harvard, Henry was undergoing rapid ideological shifts: cavorting with Maciunas and the whole Fluxus bit, doing performances at Yoko Ono's loft and recording with La Monte Young; having it out with his ...
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