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AWESOME TAPES FROM AFRICA

 
"By 1978, Addis Ababa's nightlife was facing challenges. The ruling Derg regime imposed curfews, banning citizens from the streets after midnight until 6:00 am. But that didn't stop some people from dancing and partying through the night. Bands would play from evening ...
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"By 1978, Addis Ababa's nightlife was facing challenges. The ruling Derg regime imposed curfews, banning citizens from the streets after midnight until 6:00 am. But that didn't stop some people from dancing and partying through the night. Bands would play from evening ...
more »

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"At the age of 28, Awalom Gebremariam arrived in the United States, following a years-long journey from Eritrea. He'd made it to a refugee camp in Ethiopia several years ago and eventually attained asylum status for passage to America. But before he left his hometown, ...
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"DJ Katapila makes Ga traditional music using electronic sounds instead of live percussion to create his own kind of what he calls house music. In the context of Ghana's pop music landscape, Katapila's music is singular. The uptempo, bass-heavy, Roland 808-rooted sounds ...
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"DJ Katapila makes Ga traditional music using electronic sounds instead of live percussion to create his own kind of what he calls house music. In the context of Ghana's pop music landscape, Katapila's music is singular. The uptempo, bass-heavy, Roland 808-rooted sounds ...
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"SK Kakraba is master of the gyil, Ghanaian xylophone made of 14 wooden slats strung across calabash gourd resonators. The buzzy rattle emitted with each note comes from the silk walls of spiders' egg sacs stretched across holes in the gourds, called paapieye in Lobi ...
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"Ata Kak's legendary tape Obaa Sima introduced one of the greatest left-field dance floor jammers of all time, "Daa Nyinaa." Now available on 12" single for the first time, the song Ata Kak recorded in his Toronto apartment in 1993 lives on. The artist was cloaked in ...
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"Ata Kak's cassette 'Obaa Sima' fell on deaf ears when it was self-released in Ghana and Canada in 1994. The music on the recording - an amalgam of highlife, Twi-language rap, funk and disco - is presented with the passion of a Prince record and the ...
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"Ata Kak's cassette 'Obaa Sima' fell on deaf ears when it was self-released in Ghana and Canada in 1994. The music on the recording - an amalgam of highlife, Twi-language rap, funk and disco - is presented with the passion of a Prince record and the ...
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"The acclaimed and highly sought-after LP by Hailu Mergia and the Walias, 'Tche Belew', an album of instrumentals released in 1977, is perhaps the most seminal recording released in the aftermath of the 1974 revolution. The story of the Walias band is a critical chapter ...
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"The acclaimed and highly sought-after LP by Hailu Mergia and the Walias, 'Tche Belew', an album of instrumentals released in 1977, is perhaps the most seminal recording released in the aftermath of the 1974 revolution. The story of the Walias band is a critical chapter ...
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"Aby Ngana Diop was the most famous taasukat in Dakar, Senegal in the 1980s and 1990s. Taasu is a Wolof-language poetic style, usually performed by women griots over frenetic drum patterns, with an aggressive verbal flow thought to presage rap. Her only album Liital was ...
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"Aby Ngana Diop was the most famous taasukat in Dakar, Senegal in the 1980s and 1990s. Taasu is a Wolof-language poetic style, usually performed by women griots over frenetic drum patterns, with an aggressive verbal flow thought to presage rap. Her only album Liital was ...
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"Those of you who've been following Awesome Tapes From Africa the blog and/or DJ sets might be aware of my nagging obsession with South African singer and mid-school Tsonga disco [Shangaan disco] superstar Penny Penny. Thanks to Wills and Tshepong, longtime friends who ...
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"HAILU MERGIA is a one-man band. In 1985 master accordionist and veteran bandleader/arranger/keyboardist released the "Hailu Mergia and His Classical Instrument cassette". In a nostalgic effort to bring back the vintage accordion sound of his youth, MERGIA gave ...
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