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ENTR'ACTE

 
Plastic bag is still sealed but damaged around the corners. "Two symphonic pieces for Yodeling voice and electro-accoustic body-functions. "tortuously trance-extended vocal tracks that start out as brief yodels before warping into a thick sheet of almost ...
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ENTR'ACTE21 | ENTR'ACTE

"Doepfer Worm consists of collages from recordings I made during my first encounter and experiments with synthesizers. I was loaned a Doepfer Dark Energy, and then I spent a week at the synth-filled WORM studio in Rotterdam. Not having a clue about how these things ...
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E151 | ENTR'ACTE

"Giuseppe Ielasi: electric motors, field recordings. Enrico Malatesta: percussion. Rudimenti was recorded in two separate sessions in Milano and Oreno during winter 2011-12 and then edited and recomposed as a single 26-minute track in summer 2012." (label info)
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E150 | ENTR'ACTE

"Rotated and submerged. Drawn tight below the surface. Remnants of hair, string and wood. Tied across and back. Knot Invariants is Helena Gough's third album. It was created using source material derived solely from recordings of cellists Anthea Caddy and Anton ...
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ENTR'ACTE140 | ENTR'ACTE

m-/m- in bubble wrap.
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INTERMISSION001 | ENTR'ACTE

"Electronic composer Esther Venrooy and pianist Heleen Van Haegenborgh's collaboration explores the synergy of acoustic piano with electronics and digital sound processing. Their compositions aim to draw the listener into the inner workings of the piano. Employing a ...
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ENTR'ACTE55 | ENTR'ACTE

"Helena gough's debut album consists of seven soundworks, conceived as spaces to enter. Within these spaces sounds are born, then evolve, disintegrate and sometimes die. Each is created using a minimum of raw material, usually derived from recordings of small sounds and ...
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ENTR'ACTE38 | ENTR'ACTE

Edition of 200 copies. This collaborative release has its origins in a joint performance which took place in 'a shady pub in London', according to Carlos. Recordings have since been exchanged and reworked, and finalised when the two played together again in Oslo last ...
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ENTR'ACTE40 | ENTR'ACTE