"during the '70s, work days at umiliani's sound workshop studios were hectic; thousands of sessions were held in order to keep up with a very busy italian movie industry: hundreds of soundtracks alongside with music library were recorded and released on vinyl in very limited quantities for tv and film production use only. those lps are now proper collectors' items, extremely hard to find. filled with hypnotic bass lines, heavy drums and screaming fuzz guitars "underground", the first lp of the fictitious group known as braen's machine, is one of the rarest and the most expensive of them all, always "reaching" sky high prices throughout the second hand vinyl market.we could happly say that that was the golden age of the italian music library. but who's behind the name "braen's machine"? on the original cover the songs are credited to the composers braen and gisteri. braen was a pseudonym often used by alessandro alessandroni, one of umiliani's closest collaborators. he could write, conduct and arrange, he could sing (ever heard "mah na mah na"?), he could whistle (ever heard morricone's "for a fistful of dollars"?) and he could play almost anything: guitar, bass tuba, accordion, sitar and the list grows..... his first album "alessandro alessandroni e il suo complesso" (sermi, 1969), had transformed the italian library music from orchestral sound beds into the psychedelia we all love; the extremely fuzzy guitars are very "present" on "underground" too. for a long time gisteri's real identity was rather mysterious; often wrongly attributed to umiliani. gisteri was the pseudonym of oronzo de filippi, art name of rino de filippi, music supervisor to the italian public broadcast company (rai) between the '60s and the '70s. de filippi composed other notable pieces such as "riflessi" (edipan, 1975) and "nel mondo del lavoro" (sermi, 1972). de filippi passed away few years ago but we were able to contact alessandroni to talk about this lp. remembering "underground" recording session as one of the thousands he took part of, alessandroni told us that this record was produced very quickly, in two days maximum. this was made possible by a team of wonderfully capable session musicians and the creative genius behind the mixing desk; this incredible combination helped to focus on the mood of each track even more. unfortunately there are no liner notes but alessandroni's memories and speculations, based on other music tracked in the same period at soundworkshop by resident engineer claudio batussi, led us to identify this as the most probable lineup: munari on drums, majorana on bass, vannucchi on keyboards and alessandroni himself on guitar. for this reissue the sound has been restored and the cover art reproduced exactly as it was." (label info)
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in stock | IT| 2014| SCHEMA | 29.90

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