ELOY, JEAN-CLAUDE
""Anâhata" (1984-86. Primordial vibration. Sound ceremonial with a contemplative character for two voices of Japanese Buddhist monks (traditional Shômyô techniques - traditional temple chanting - in a larger, modern and creative form), three Japanese Gagaku ...
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HT11-12-13 | HORS TERRITOIRES
A series of instrumental pieces documenting the years before the switch to the long electroacoustic compositions more characteristic of the composer. Faisceaux-Diffractions: (1970) for 28 instrumentalists including a Hammond organ, and two electric guitars. Recording of ...
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HT30 | HORS TERRITOIRES
"To achieve these four works (Incantation, Confrontation, Contemplation, Oppression-Liberation), I relied on the sound elements used for the creation of my former work Yo-In, from which I recycled all the electroacoustic parts created at the Institute of Sonology of the ...
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HT31-32-33-34 | HORS TERRITOIRES
"Shânti" (1972-73) for electronic and concrete sounds. Electronic music studio, WDR, Cologne, Germany, 1972-73. Digitalized and revised version from 2001. "The term "meditation music" triggered many conflicting comments including positive ones ("... let us say that ...
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HT05-6 | HORS TERRITOIRES
"This is a book on the piece "Yo-in" + the piece on a digipack 4CDs. "Yo-In" (1980). Sound theater for an imaginary ritual, in four acts. For electronic and concrete sounds, fixed on multi-tracks. For a "percussionist-character" (solo percussionist). With about two ...
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HT07-8-9-10 | HORS TERRITOIRES
