BUREAU B

"Shrouded in myth, 'Save Your Software' is the long-lost album by Der Plan. Back in the mid-1980s, Moritz Reichelt, Kurt Dahlke (Pyrolator) and Frank Fenstermacher initiated the Fanuks project with the aim of making themselves immortal as Mensch-Maschinen or ...
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"Flusch. Knirk. Finom! Seit 14. Juli 1981 erforschen Die Welttraumforscher den Traum der Welt, werden zu Kassettentätern, entdecken die Folklore des Weltalls, besuchen den Kontinent Binika und wundern sich über die Stadt Darktown. Bretzelbergpop und Spielzeuggewitter, ...
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"Rätselvernarrte Reisende die sie sind, Drillinge in kosmischem Auftrag, durchstöbern die Welttraumforscher die weiten Räume des Klanguniversums im Wohnzimmer und in den Sideria-Werkstätten. Alles, sagen sie, ist Forschung und finden die wundersame Wasserstadt und ...
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"Schlammpeitziger ist die Kunstfigur des Musikers, Zeichners und Performancekünstlers Jo Zimmermann. Bereits seit 1992 prägt er mit seinem surrealistischen Lo-Fi Krautronica und zahlreichen Veröffentlichungen bei A-Musik, Pingipung und Sonig den Sound of Cologne ...
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"His second solo effort, was released on the French label New Rose in 1985, although the recordings on Clouds Of Glory actually dated back to the earlier part of the decade, following on from the Suicide sessions for the duo's second album. Martin Rev remembers: "Clouds ...
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"Heldon were the most important French electronic space rock musicians. The band were Richard Pinhas with a variety of guest musicians on different tracks. The debut "Electronique Guerilla" (1974) is a psychedelic sonic symbiosis of Pinhas' 1954 Gibson Les Paul and his ...
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"Includes CD. Swallowing air and farting it out, that's the main life skill of the weatherfish. But what's best about him is his evocative German name: Schlammpeitziger. When German electronic artist Jo Zimmermann launched his solo career in the early 1990s, he chose to ...
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"The notion that Jochen Irmler and Gudrun Gut would one day merge the best of their two worlds was never quite to be expected. We hear Irmler's meandering, wistfully psychedelic organ sound, seeming to come from a different era. And we hear Gut's reverb-laden, ...
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"Asmus Tietchens' second album on Sky Records not only continued in the style of its predecessor "Biotop", it managed to refine it a little more precisely. "Spät-Europa" also conveys a banefully distorted pseudo pop soundscape of disjointed rhythms and oblique ...
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"Zwei Osterei is the second half of a recording session which took place on a single day in November 1970. Klopfzeichen is the first part. Yet the uncompromising Zwei Osterei surpasses the earlier Klopfzeichen album by some distance in terms of its harsh noisiness and ...
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