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RECOLLECTION GRM

 
"Grand Bruit (1991): The great mobile sound bodies have an ordinary yet amazing ability to place the listener-traveller within, as if he or she was inside a giant double bass, in this case a train stroked by a double bow: the rails and the air. In 1991, I explored this ...
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REGRM020 | RECOLLECTION GRM

""Music Promenade" (1964-1969): Electroacoustic Music, world premiere for the Théâtre de la musique, March 16, 1970 "Hétéro-Concert". Permanent version for four stand-alone tape recorders. A series of colliding realistic sounds and sonic images. Whilst walking, a ...
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REGRM022 | RECOLLECTION GRM

"Violostries (1963/64), 16'39 Premiered and recorded in April 1965 at the Royan Festival - France, by Devy Erlih (violin) & Bernard Parmegiani (sound projection). Capture ephemere (1967, 1988 version), 11'48 This work was composed in four tracks in 1967 for quadraphonic ...
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REGRM023 | RECOLLECTION GRM

"Divine Comedy stands as a magnum opus crafted by two of the foremost composers of their era, boasting a musical ambition akin to Dante's poem and its visual interpretation by Sandro Botticelli or Gustave Doré. For a long time, this triptych was presented as a ...
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REGRM032 | RECOLLECTION GRM

"An expedition in sound in 10 sequences: Enfoncement [Deep Sink], Gouffre circulaire [Circular Abyss], Noyau secret [Secret Core], Apesanteur [Weightlessness], Entrailles [Entrails], Four solaire [Solar Furnace], Fissures [Cracks], Mer intérieure [Inner Sea], Éruption ...
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REGRM031 | RECOLLECTION GRM

"Allégeance volatile and Esquive each tackle the same issue in their own way. Overcoming time: whether it be successive, additional, enumerative, or repetitive. However, there is nothing here about the ensuing nature of so-called "repetitive" music. These are types of ...
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REGRM021 | RECOLLECTION GRM

"In the 1970s, Robert Cahen turned to the burgeoning field of video art, where he became a pioneering artist. Originally trained in musique concrète, he joined the Groupe de Recherches Musicales in 1972. The pieces on this record were composed in the GRM studios ...
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REGRM029 | RECOLLECTION GRM

"While the theme of the four elements has been a constant source of inspiration in the arts, its setting to music using electroacoustic techniques seems highly auspicious, since the notion of matter and its transformation is consubstantial with the concrete approach. In ...
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REGRM028 | RECOLLECTION GRM