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RECOLLECTION GRM

 
"Lionel Marchetti is a major figure of the "third generation" of concrète musicians, a term he values. Listening to these works, imbued with poetry and traversed by micro-narratives, one can indeed retrieve the original concrète spirit, the one that draws from the ...
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REGRM026 | RECOLLECTION GRM

2020 repress "Even though Iannis Xenakis never made "musique concrète" in the sense given by Pierre Schaeffer, the GRM was a locus for experimenting with his ideas about sound and sound structures. The works, composed between 1958 and 1962, show a boldness as advanced ...
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REGRM007 | RECOLLECTION GRM

"Violostries (1963/64), 16'39 Premiered and recorded in April 1965 at the Royan Festival - France, by Devy Erlih (violin) & Bernard Parmegiani (sound projection). Capture ephemere (1967, 1988 version), 11'48 This work was composed in four tracks in 1967 for quadraphonic ...
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REGRM023 | RECOLLECTION GRM

"FRACTALS (1981), 21'26 Composed at the GMVL from December 1979 to September 1981, this work was commissioned by Fnac.Fractals are mathematical oddities that, when crossing our path, turn the smallest island into an immensity to be explored. FRACTALS is a series of ...
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REGRM024 | RECOLLECTION GRM

"Allégeance volatile and Esquive each tackle the same issue in their own way. Overcoming time: whether it be successive, additional, enumerative, or repetitive. However, there is nothing here about the ensuing nature of so-called "repetitive" music. These are types of ...
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REGRM021 | RECOLLECTION GRM

""Music Promenade" (1964-1969): Electroacoustic Music, world premiere for the Théâtre de la musique, March 16, 1970 "Hétéro-Concert". Permanent version for four stand-alone tape recorders. A series of colliding realistic sounds and sonic images. Whilst walking, a ...
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REGRM022 | RECOLLECTION GRM