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ROOM40

room40

Australian experimental label, founded in the early 2000s by Lawrence English. The huge catalogue includes releases by Chris Abrahams, David Toop, Norman Westberg, Chihei Hatakeyama, Janek Schaefer, John Chantler, David Shea, Ross Manning, Tim Hecker any many others.

 
"I find myself at the collision of an inflection point and more over a reflection point. 50 years on this planet. I still find it difficult to write about my work. This is not because I cannot, but because I want the listener to approach my compositions of sound as ...
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RM4146 | ROOM40

"Yuko Araki is one of a number of young female artists emerging from Japan that are redefining the outer boundaries of noise, post-industrial techno and experimental electronics. Raised as a pianist, Araki's teenage obsession with metal opened a gateway towards various ...
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RM4137 | ROOM40

"Composed and produced and performed by David Shea in collaboration with: Mindy Meng Wang: Guzheng and Voice; Speak Percussion: Eugene Ughetti - Percussion; Matthias Schack-Arnott - Percussion; David Shea - Electronics, Piano, Singing Bowls, Vocal Overtone and ...
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RM4125 | ROOM40

"I've written quite often about my first experience listening to Thrown at Chris's place in Sydney. On that initial listening I was equal parts terrified and awestruck. The sensation of sitting there, in low light after midnight, listening with Chris and our mutual ...
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RM409R | ROOM40

"The first edition on my Hipshot c.d.r label in 1999 was titled Kiribati and was dedicated to the people of that Pacific Island nation as I shared their concern, then as now, with the fact of rising sea levels due to global warming which threatens to destroy or make ...
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RM4117 | ROOM40

"Los Angeles based artist Geneva Skeen returns to Room40 with her second full-length edition. Born out of the ashes of 2020's cascade of heartbreak and uncertainty, Skeen unpacks the chaotic and unruly events with agency, heaping the distorted eruptions of her day to ...
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RM4113 | ROOM40

"I first met Chris Abrahams sometime in the early part of the 00s. In 2003, I had the pleasure of spending a very late night glued to his sofa, lights diminished, being introduced to his solo work. That listening experience became known as Thrown, a record that to this ...
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RM4132 | ROOM40

"On "Zeitstudie von A.S." I used an ANALAPOS, the echo instrument I invented in 1970, and the Suzuki-type glass harmonica that I created in 1975. The ANALAPOS resembles the tin-can telephone that children used to play with: two metal cans, open at one end and connected ...
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RM4119 | ROOM40

"Harbors is a collaboration of composers Ellen Fullman (Long String Instrument) and Theresa Wong (cello), which draws inspiration from the soundscapes, stories and atmospheres that manifest around bodies of water that propagate exchange. Structured around the extended ...
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RM4123 | ROOM40

"Being a bad liar in actual life, I've always inclined to transparent creative processes as experienced in the work of artists like Roman Signer, Pierre Berthet and Tetsuya Umeda. In a similar manner, I see this record as nothing more than a sonic imprint of a series of ...
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RM4124 | ROOM40

"This album is a distillation of the many long-term relationships I've had with Australian composers. The music forms a body of work, spanning fifteen years, that provides a glimpse into my percussive language and a twenty-first century Australian percussion sound. In ...
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RM4126 | ROOM40

"In 2019, Niblock can no longer host his annual 6 hour-long solstice concert at the Experimental lntermedia loft; not only did the neighbors complain, the landlord sued. But the validity of his prescription is undiminished, for it takes sonic volume and spatial ...
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RM4122 | ROOM40

all covers bend from rough transport "I'm not really sure when I first heard Beatriz Ferreyra's music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, ...
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RM4114 | ROOM40

"What are the bounded limits of sense? How is it we come to know the world and moreover how is it that we share that experience collectively? Where are the points of mutual understanding and how can we approach the spectral aspects of our sensing of the world? It's ...
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RM447 | ROOM40

"In June 2019, Masami Akita, better known as Merzbow travelled to Australia to take part in Room40's Open Frame festival. Across a week he delivered a series of performances to sold out audiences in Sydney and Melbourne. The performances were viscerally explosive, a ...
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EDRM428 | ROOM40

"With Slowly Dismantling, Los Angeles based artist Yann Novak problematises understandings of ambience as homogenous and static. Slowly Dismantling deconstructs ambient, pulling it way from the blank and the atmospheric, refusing the perceived luxury of sound within ...
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RM4112 | ROOM40

"Australian born, Sweden based artist John Chantler returns to Room40 with his fifth solo edition. Tomorrow Is Too Late was commissioned by INA GRM for their Presences Electronique festival in 2018 and sees Chantler significantly expand the horizons of his acoustic ...
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RM4107 | ROOM40

"A few years ago I went on a trip to the Asuka region. This album, 'Forgotten Hill', draws all of its inspiration from this trip. The experiences I had on this journey were used as compositional guides to compile the sonic impressions I experienced during this time. ...
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RM4111 | ROOM40

"Every recording project explores a gap that exists between uncertainty and realisation. It can be a treacherous zone of investigation, one that can frustrate as easily as it can reward. In this expanse of possibility, artists and musicians traverse a particular set of ...
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RM4110 | ROOM40

"For well over a decade, Erkki Veltheim has been involved in some of the most critical contemporary sound works performed in Australia. Celebrated widely for his performance approach, that orbits outward from his extended violin practice, Erkki Veltheim's recorded works ...
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RM4106 | ROOM40

"For the first solo record under his own name, Luís Fernandes chose an on-point title that echoes in one word a constant feeling throughout Demora. Demora means 'delay' in Portuguese. Depending on the way you use it on a sentence, it can also mean that something is ...
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RM4109 | ROOM40

"Crushingly dark and ominous avant-classical nocturnal scapes from Tehran-based Siavash Amini, marking his debut with Lawrence English's Room 40. Amini's work in 'Serus' is often scowlingly serious, but not without its moments of spacious, harmonic relief that bring the ...
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RM497 | ROOM40

"The music of Australian artist Thembi Soddell resides in a zone of unrelenting darkness and physical affect. Working at the nexus of raw emotion, sound design and musique concrete, she creates sound worlds that are effortlessly dense and abyss-like. In her ...
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RM491 | ROOM40

"Joana Gama and Luis Fernandes' new offering At The Still Point Of The Turning World, borrows its title from T. S. Eliot's poem Burnt Norton. It is a record of restless motion, lilting and pulsing with a sense of gentle determination. Born out of a period of mutual ...
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RM492 | ROOM40

"I confess to being in a state of ceaseless awe when it comes to Tokyo guitarist, Ueno Takashi. I have had the pleasure to know Ueno now for well over 10 years. In that time he has remained a source of constant curiosity and surprise. Just when I think I have the man ...
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RM487 | ROOM40