
"The songs on Touch, the first new Tortoise music in nine years, are dramas without words. They're elaborately appointed and carefully mixed to enhance a familiar feeling - a distinctly cinematic uneasiness. Close your eyes and you might see cars swerving around unlit ...
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IARC0099 | INTERNATIONAL ANTHEM

"Heart's Ease is a glorious reminder that Shirley Collins is still in a class of her own, both as a folk singer with a distinctive no-nonsense style that is all her own, and as an innovator. And she certainly doesn't intend this album to be her last. "I have such a huge ...
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WIGCD454 | DOMINO RECORDS

10 years aniv. repress "Few years ago, an idea germinated while reading The Magic Mountain by Thomas Mann. An idea not driven by the narrativity of the book, but by the traces and the aura invoked in it. That was it: an audible auratic journey trough the memories of a ...
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SP068 | SHELTER PRESS

"Hören ist nie neutral. Es ist immer an Körper gebunden, an Situationen, an Machtverhältnisse und Erinnerungen. Es entscheidet sich im Moment des Hörens, wer aufmerksam sein darf, wer gehört wird - und wer überhört bleibt. Die Texte in diesem Heft nähern sich ...
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146 | POSITIONEN
BLADDER FLASK - ONE DAY I WAS SO SAD THAT THE CORNERS OF MY MOUTH MET & EVERYBODY THOUGHT I WAS WHISTLING (LP)

Bladder Flask's debut (in fact only) LP, originally issued by Orgel Fesper Music in 1981, is one of the most eclectic albums of the post-Industrial era. It is both challenging and perplexing. So, put down your puny instruments of normality and breathe in the frenzied ...
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SNS-21LP | SONORIS
BLADDER FLASK - ONE DAY I WAS SO SAD THAT THE CORNERS OF MY MOUTH MET & EVERYBODY THOUGHT I WAS WHISTLING (CD)

Bladder Flask's debut (in fact only) LP, originally issued by Orgel Fesper Music in 1981, is one of the most eclectic albums of the post-Industrial era. It is both challenging and perplexing. So, put down your puny instruments of normality and breathe in the frenzied ...
more »
more »
SNS-21CD | SONORIS



















