"Provides a synthesis of his key thinking on the media, propaganda and its pivotal role in the relentless class struggle being waged everywhere. "The war against working people should be understood to be a real war. It's not a new war. It's an old war. Furthermore it's ...
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G-7 005 | G-7 WELCOMING
Zev Asher: vocals, sound deconstruction, slaving, Lasse Marhaug: samples, processing, mastering. "Squirrelgirl Records proudly announces the release of the debut recording The Romance is Over by The Sleazy Listeners. Music created with 21st century laptop precision ...
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SQRL003 | SQUIRREL GIRL
"Vancouver based The Beans have emerged as one of the premier post-rock groups in Canada since their formation in 1995. Along with kindred spirits such as Godspeed You! Black Emperor, Do Make Say Think and Broken Social Scene they've helped to bring attention to ...
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INTR013 | INTR_VERSION
"Adult Guitar is a startling anthology of twenty unreleased tracks from Noël Akchoté's first twenty-one years of recording. Adult Guitar (it is twenty-one years, after all) is the first record to attempt to represent the breadth of Noël's music. The project began ...
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BC13 | BLUE CHOPSTICKS
Debut album on Binemusic. All the tracks were written during 2003 and 2004 being heavily influenced by his life in Chemnitz, Dresden and Taiwan while not abandoning his melancholic house style which has already became a trademark on his former releases. The track names ...
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BINE005CD | BINEMUSIC
Günter Heinz - tb / Jochen Bohnes & Wolfgang Heiniger - live processing, recorded at Elektronisches Studio der Musikhochschule Basel, Switzerland 1998, coverart by Polyform.
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CD1139 | FOR 4 EARS
Charlotte Hug - viola, electronics / Chantale Laplante - laptop, recorded at free radiCCAls festival, Glasgow, UK 27.10.2002, and at Internationales Künstlerhaus Villa Concordia, Bamberg, Germany, 20.8.2002, cover artwork by Barbara Hediger. "Sounds of the laptop are ...
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CD1446 | FOR 4 EARS
Urs Leimgruber - composition, ss, Günter Müller - processing, sel dr, mds, ipod, elec, Beat Hofstetter - ss / Sascha Armbruster - as, elecs, Andrea Formenti - ts / Beat Kappeler - bs, as, recorded at theatre La Fourmi Luzern, november 1, 2002, by Erwin Bindzus, cover ...
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CD1447 | FOR 4 EARS
Oren Ambarchi - guit, elec / Günter Müller - sel perc, mds, ipod, elec, Philip Samartzis - elec, environmental sound, recorded at 'What Is Music?' Corner Hotel Melbourne 2002, and at home in Sydney, Itingen, Melbourne 2003, cover artwork by Günter Müller. "The ...
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CD1448 | FOR 4 EARS
Norbert Möslang - cracked everyday-electronics, processed, recorded at Zack Studio St.Gallen march 2002, processed at home, cover artwork by Alex Hanimann. "Möslang takes the well-known territory from his Voice Crack work into a new area, by using the same sounds, but ...
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CD1549 | FOR 4 EARS
Tomas Korber - guitar, sampler, electronics, ErikM - 3-k.pad system, Toshimaru Nakamura - no-input mixing board, Otomo Yoshihide - turntables, electronics, cover artwork by Ralph Steinbrüchel. "Things are changing yet again in the world of free improvisation, and ...
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CD1550 | FOR 4 EARS
Phil Minton - voice, Norbert Möslang - cracked everyday-electronics, ErikM - 3-k.pad system, Andy Guhl - cracked everyday-electronics, Günter Müller - ipod, mds, selected perc, electronics, cover artwork by Alex Hanimann. "For what became Poire_Z's last performance, ...
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CD1551 | FOR 4 EARS
"Was passiert, wenn Afrika Bambaataa plötzlich Kraftwerk sampelt? Wenn die Musiker des Anticon-Labels Rap mit Folk vermischen? testcard #13 verfolgt die weit verzweigte Geschichte von Jazz, Soul, R&B, HipHop und House, ohne die Frage nach der jeweiligen - internen wie ...
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TESTCARD13 | TESTCARD
"YOSHIO MACHIDA: amorphone#2, steelpan, steel guitar, programming, live electronics (Max/MSP) TETSURO YASUNAGA: electronics(03, 05, 06) KEIICHI SUGIMOTO: guitar(01, 03, 06) "Infinite Flowers" is the 3rd album of YOSHIO MACHIDA, a sound & visual artist, based in Tokyo. ...
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AMORFON002 | AMORFON
"A self-stabilizing network of circuitry nudges the pitch of audio feedback to a different resonant frequency every time the feedback starts to build. The familiar shriek is replaced with unstable patterns of hollow tones, a site-specific raga reflecting the acoustical ...
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LISTEN002 | APESTAARTJE
