VERHAGEN, DARRIN - SOFT ASH (CD)

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DOROBO012 | DOROBO

VERMONA VS. G.E.N. - STRANGE SIDEFFECTZ (7")

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XXC3_1001 | XXC3

VERNON, MARK - CALL BACK CAROUSEL (LP)

"Call Back Carousel is an audio time-travelogue, a slideshow of the mind's eye - projecting Kodachrome memories directly into the listener's mind by means of sound alone. It is a way of travelling without ever having to leave the home. A vicarious vacation for the ...
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CREP102 | DISCREPANT

VERNON, MARK - SHEET EROSION (CD)

"Spuren & Gegenworte" began with a quasi-telepathic collaboration between KM and RW. Both recorded a track on May 3, 2021, from 8:00 PM to 8:10 PM. These recordings were subsequently transformed, combined, juxtaposed, and further modified over the course of several ...
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SNS25 | SONORIS

VERNON, MARK - TIME DEFERRED (LP)

"Followers of the artist Mark Vernon will note a subdued and pensive mood on this new record. Muted and sepulchral, these tracks are in a minor key, a key which opens the door to a damp cellar of the imagination. Too-many legged spiders crawl over dusty violins. Time ...
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GR2041 | GAGARIN

VERNON & BURNS - MEET LIED MUSIC - LOST LAKE (LP)

"Lost Lake is the return of the collaborative project between sound art duo Vernon & Burns (Mark Vernon and Barry Burns) with Lied Music (Luke Fowler and John W Fail). It is a sequel to the long-sold out LP Lied Music vs. Boy-Band Tax Returns (Ultra Eczema, 2006). This ...
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SHA.11 | SHADAZZ

VERNON & BURNS - THE LIGHT AT THE END OF THE DIAL (LP)

"Want bespoke jingles for your commercial productions? Require pre-tailored musical solutions for your dramatic creations? Need them quickly and cheaply? Here's the answer. In The Light at the End of the Dial, Vernon & Burns offer 14 exciting multi-use modular ...
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GR2023 | GAGARIN

VERNON & BURNS - THE LIGHT AT THE END OF THE DIAL (LP - USED vg+/m-)

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GR2023 | GAGARIN

VERNUSKY, MICHAEL - BLOOD THAT SEES THE LIGHT (CD)

"An eclectic mix of tracks ranging from lush electronic soundscapes to sharply defined acoustic instrumental pieces. Binding them together is Vernusky's sonic palate, which tends towards haunting environments that slowly flex between rich consonances and crackling ...
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VERNUSKY, MIKE - MUSIC FOR FILM AND ELECTRO-THEATRE (CD)

"Quiet design presents a new release by composer and sound artist Mike Vernusky, Music for Film and Electro-Theatre. Handcrafted, cinematic textures of noise and acousmatic sound composed for experimental films and live actors with electronic sound. Whereas Vernusky's ...
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VERSA - VERSA 7 (BOOK)

zeitschrift für politik und kunst: mythos mafia / kunst und rätekommunismus / die menschliche fliege / um die welt: mexiko, afghanistan, israel, russland, island ... comes with 3"cd-r "international mini rekorder"
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ISSN1614-8711 | VERSA

VERT - MEWANTEMOOSEIC (12")

"Vert is a musical chameleon. He is capable of vibing-up an audience when supporting label-mates Mouse on Mars on their live shows, but is at the same time equally liable to play inventively experimental sets on modified piano. Lightness and profundity co-exist in his ...
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SONIG06 | SONIG

VERT - MOREMOOSEICFORME (12")

"Vert's new 12" "Moremooseicforme" will be everyone's prefered piece of vinyl 2000 but it is only a teaser for his collection of timeless evergreens called "Nine types of ambiguity". Electronic music is a free horse running wild and easy. Vert can ride it and we are ...
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SONIG16 | SONIG

VERT - NEW THING AT NOVARA (CD)

"New Thing at Novara, despite having been constructed in a one-week frenzy in a hotel room in Novara during the festival, incorporating recordings of each of the concerts immediately after they took place, is simultaneously two things: a richly representative document ...
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SONIG67CD | SONIG

VERT - NINE TYPES OF AMBIGUITY (CD)

In Vert's "Nine Types of Ambiguity" the noises have liberated themselves and no longer merely annoy; rather, they enhance the tonal body comprising melody, nostalgic evocations of disrupted beats and the ornament of clef symbols. Every noise is capable of being music, ...
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SONIG17CD | SONIG

VERT - NINE TYPES OF AMBIGUITY (LP)

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SONIG17LP | SONIG

VERT - NINE TYPES OF AMBIGUITY (CD)

This japanese release includes the 4 tracks of "Moremooseicforme" as a bonus at the end of the album (tracks 10-13) with the first track "To Doo It To Be" taken out from the track order and substituted with "To Be Is To Doo" as on the regular LP version. has red sample ...
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TKCB-72069 | TOKUMA

VERT - SMALL PIECES LOOSELY JOINED (CD)

""small pieces loosely joined" comprises both flirty come-ons in pop's direction as well as short sketches, reminiscent of its title. Using accordion, Rhodes, lots of piano of course and a dense tissue of electronica, the tracks tentatively approach something akin to ...
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SONIG30CD | SONIG

VERT - SMALL PIECES LOOSELY JOINED (LP)

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SONIG30LP | SONIG

VERT - SOME BEANS & AN OCTOPUS (CD)

"These are not tracks, they are songs, and every song on Some Beans & an Octopus features vocals from Adam. The lyrics (poetic, playful, sometimes surreal stories of love and theft) pull together the structures of the music, compacting it into supple, nonchalant pop. ...
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SONIG56CD | SONIG

VERT - SOME BEANS & AN OCTOPUS (LP)

"These are not tracks, they are songs, and every song on Some Beans & an Octopus features vocals from Adam. The lyrics (poetic, playful, sometimes surreal stories of love and theft) pull together the structures of the music, compacting it into supple, nonchalant pop. ...
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SONIG56LP | SONIG

VERT - THE KÖLN KONZERT (CD)

""The Köln Konzert" was directly inspired by Keith Jarrett's recording of the same name. recorded live at the White Noise Bar, Köln on May 6th 1999 and edited at Yrs Truly, London. "The Köln Konzert was written to celebrate the launch of "Mewantemooseic" (sonig 06), ...
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SONIG12CD | SONIG

VERT - THE KÖLN KONZERT (LP)

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SONIG12LP | SONIG

VERT - THE KÖLN KONZERT (CD)

JAPANESE ED. WITH BONUS TRACK, has red sample sticker (in japanese) on obi & very small sample imprint on cd centre
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TKCB71949 | TOKUMA

VERT / ACOUSTIC-INTERFACE - OCTATONE RAG / CALLIOPE (7" m/vg+)

"Vert called it 'octatone rag' for two reasons: it uses a scale called the octatonic scale and it reminded him of ragtime, particularly in the first part. The octatonic scale was invented (discovered? popularised?) by Olivier Messiaen, it's one of what he called the ...
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EMPHASOLO#5 | EMPHASE